“Better to reign in hell than serve in heaven.” This line from Milton’s Paradise Lost is the stated philosophical credo of Wolf Larsen (Edgar G. Robinson), ship captain of The Ghost in Michael Curtiz’ The Sea Wolf, a nautical noir that combines thick, doom-laden atmosphere with cold, intellectual nihilism for unusual bleakness coated with Warner Brothers studio gloss. Based on the classic novel by Jack London, The Sea Wolf co-stars John Garfield as rough-and-tumble ship crewman George Leach, Ida Lupino as escaped convict Ruth Webster, and Alexander Knox as literary novelist turned galley dishwasher Humphrey Van Weyden, all of whom by chance find themselves on board The Ghost and victims of the sadistic captain’s abuse. Suffering from debilitating headaches that cause temporary blindness and hunted by his ship captain brother who aims to kill him, Larsen is bitter, tyrannical, and vindictive, occasionally stooping to discuss morality and madness with the erudite Van Weyden, who describes Larsen as “a man tortured by a brain he should never have been given.” Oscar-nominated for special effects, The Sea Wolf is fast-paced and action-packed, featuring high-speed collisions, mutinies, murders, suicides, and shark attacks, all of which are bathed in fog and moonlight and mist, the shadow of death slowly enfolding the ship.
By Michael Bayer
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